Sunday, April 8, 2012

Icky Sticky


I can't pinpoint exactly what song was stuck in my head this week, so this time I chose to write about a song that I like. I DID say in my very first post that I'd mostly likely write about songs fixated in my head, not only. So, all is well. Despite that fact however, this song DOES have a relation to this week: the other day I started humming the tune out of nowhere... I have no idea why... but it made me want to listen and watch the music video again... so I did... I know, cool story, bro.

Anyway, last semester, some friends of mine living at the dorms introduced me to "Icky Sticky" by Jgeek and The Geeks. (The above photo is from that music video.) I could not BELIEVE what I was seeing: a boy band with a mix of electro craze and Maori culture. It was like watching something out of a Lady Gaga video, with an indigenous touch to it. What's so funny is the fact that it worked. Maori's are already crazy! (In a good way) And the side of Maori culture they portray fits perfectly with that Lady Gaga type of style. Looking back at it now, I think it was the music video more so than the song that grabbed and held my attention the most. (Even though it is a pretty catchy song.) After that I watched their "Maori Boy" and "Taniwha" video, which further blew me away. "Taniwha" has got to be my favorite video/song from them, only because there's an even greater integration of Maori culture into both the lyrics and the video.

So, if I hadn't already made it clear. Jgeek and The Geeks is, as they dub themselves, a "Metro-Maori electro craze group" from New Zealand. There's not that much about them on the web. They're not very well known around the world and haven't released anything new since November 2011. The most I found was on the founder of the group: Jermaine Leef (a.k.a. Jgeek). Jermaine travelled around the world, interviewed famous people, spent 10 years on TV, worked with C4 and Disney, gathered a good understanding of western pop entertainment, then put it all together and brought in Maori culture to create the group. Their goal is to show people Maori culture in a new, fun, silly, and crazy way. And that, in my opinion, is exactly what they're doing.

It's unclear exactly how many "Geeks" there are, there's a different number of guys in all their videos and there's no list of the members anywhere. But here's a picture of some of them. The middle guy is Jgeek:



Now back to the song. The lyrics to "Icky Sticky" aren't that important. Jermaine said himself that when one of the producers played the tune, the words just came to him. "Don't ask me what they mean, just listen and laugh - we did!" So here they are: 


I've got some icky sticky love to give, c'mon
I've got some icky sticky love to give, c'mon
I've got some icky sticky love to give, c'mon
I've got some icky, icky, sticky sticky, icky icky, sticky sticky...

I've got some icky sticky love to give when you're licking up my face, see.
I've got some icky sticky love to give when you're licking up my face, see.

Cause number one, you best be good to me
And my number two, you've gotta be good to me

I've got some icky sticky love to give when you're licking up my face, see.
I've got some icky sticky love to give when you're licking up my face, see.
Cause...

Oh! Boom shaka laka I'm a pop vulture
Metropolitan of the maori culture 
Hey John Key look at moi, I'm the sophisticated Taniwha.
Ra ra ra, i'm a monster. 
Look at the maori Prime Minista, me! 
Fiddle diddy well i'm a stupid eh crack 
Watch out for me cause I'm a donkey head.

Icky sticky love to give when you're licking up my face, see.
I've got some icky sticky love to give when you're licking up my face, see.

Cause I want you to set the pace
And I want you to lick my face

I've got some icky sticky sticky sticky sticky sticky
Some sticky icky icky icky icky icky icky

I've got some icky sticky love to give, some icky sticky love to give
I've got some icky sticky love to give when you're licking up my face, see.
I've got some icky sticky love to give, some icky sticky love to give
When you're licking up my... 

Icky sticky love to give when you're licking up my face, see.
I've got some icky sticky love to give when you're licking up my face, see.

Cause I want you to set the pace
And I want you to lick my face

I've got some icky sticky love to give
I've got some icky sticky love to give


And here's the video:



I think what these guys are doing is awesome. Culture is a living, breathing, growing, thing. It changes... Just as Hawaiians have brought in 'Ukulele's and guitars into their music, so has this group brought in hip hop. It's contemporary Maori music, a modern day "Sudden Rush." (Yes, Sudden Rush had a different purpose and message, but that's all I could think of to compare it to.) They've incorporated new ideas into the music they make, it's all for fun, and I admire them for their creativity. I hope they pick up where they last left off one day, and create more songs and music videos in the future.

Sunday, April 1, 2012

Kōke'e


This was without a doubt THE song of the week. I went to Kauaʻi for Spring Break(!) with one of my friends from High School, and I swear we could not stop singing it (Kōkeʻe is a place on Kauaʻi). That's what happens when you put two people together, who know every word to a song, in the right setting: theyʻll both sing it over and over again. We were both a part of the Kamehameha Middle School Kāpalama Nā ʻOpio Singers (choir) and "Kōkeʻe" was one of the songs we sang for BOTH our seventh and eight grade year. So we pretty much knew it by heart.

But before I get to the fun stuff, here's a little about the composer (whom I just learned about tonight): 

This song was composed and arranged by Dennis Kamakahi who is a Hawaiian slack key guitarist, a recording artist, and a music composer. He started off as a member of Nā Leo o Nuʻuanu in 1972 and his first recording was the album Ia ʻOe E Ka Lā Volume 1. From 1988-2004, he composed around 500 songs during with Eddie Kamae and the Sons of Hawaii, becoming one of Hawaiʻi's most prolific songwriters in Hawaiian language. Kamakahi launched his solo career in 1996, releasing his first slack key guitar CD Puaʻena among others that followed. In 2003 under his own recording label, Dennis Kamakahi Productions, he released an album with his son David, The Gift of Music - From Father to Son. In 2004, Kamakahi produced an album featuring his son entitled Paʻani. It was David's first attempt at a solo, and both father and son received Nā Hōkū Hanohano Awards that year. At the 49th Grammy Awards in Los Angeles in 2007, Kamakahi received his First Grammy Award for Best Hawaiian Album for the slack key guitar CD Legends of Hawaiian Slack Key Guitar. In 2008 he received his second Grammy in the Hawaiian Music Category for his CD Treasures of Hawaiian Slack Key Guitar. In 2009, Kamakahi was nominated for a third Grammy, did not win an award, but did receive his first gold Grammy Nominee medal as a record producer. He was also awarded the Lifetime Achievement Award from the Hawaii Academy of Recording Arts as a member of the Sons of Hawaii and was inducted into the Hawaiian Music Hall of Fame. Then in 2010, he was nominated and won his third Grammy for his CD The Masters of Hawaiian Slack Key Guitar 2 - Live in Maui.

...I did not know ANY of that, it's a good thing I'm using this assignment to learn a little more about the people who sing the songs that are constantly stuck in my head ('cause most of the time I don't even know who sings them)...... but now back to "Kōkeʻe" itself.

This song is a mele pana, or, as the title of the song suggests, a place song. It describes the beauty and atmosphere at the summit of Kōkeʻe, which over looks Kalalau valley and Waimea Canyon. It also talks about heading back East to the hot sun and calm sea of Poʻipū at Koloa. We visited every place the song talks about and coincidentally stayed in Poʻipū during our time on Kauaʻi. Here are the lyrics to the song, as well as some pictures we took that conveniently represent each description perfectly:

Kōkeʻe
Upu aʻe, he manaʻo i ka wēkiu o Kōkeʻe
I ka nani o ka ʻāina o ka noe poʻaiʻai
A thought recurs to the summit of Kōkeʻe
In the beauty of the land of the encircling rain
Kalalau
ʻO Kalalau, he ʻāina laʻa i ka ua liʻiliʻi.
Kalalau is the sacred land in the drizzling rain.
Waimea
ʻO Waimea, kuʻu lei aloha.
Never more, to say goodbye.
Waimea is my beloved wreath.
Never more, to say goodbye
Poʻipū
Hoʻi mai ana i kahikina i ka lā welawela
I ke kai hāwanawana i Poʻipū ma Kōloa
Returning to the east in the doubly hot sun
To the whispering sea at Poʻipū in Kōloa
Kōkeʻe
Mele au, nō ka beauty
I ka uka ʻiuʻiu i Kōkeʻe ua ʻike au i ka noe poʻaiʻai
I sing for the beauty
In the lofty uplands at Kōkeʻe I saw the encircling mist
The song really does represent these areas perfectly. It was hard not to think of the words as we surveyed each place. It's no wonder why we had it stuck in our heads the whole time :) 




Sunday, March 25, 2012

Be Easy

This past week was hectic: midterms, papers, homework, meetings... I'm not even gonna get into specifics. What probably made everything even more difficult than usual, is the fact I went to Big Island the weekend before (where I did absolutely NOTHING school related.) So coming back to school after a (short) weekend of straight up cruising on an outer island, put me in a "do I really have to do this?" mood. I was on Spring Break mode and Spring Break doesn't even official start until tomorrow. It was all psychological; I was making it harder for myself than it actually was, so I seriously needed to "just relax, lay back, and be easy."

Which is exactly how "Be Easy" by Radical Something became this week's song. There have been so many times in my life where I think of or hear a word, and a song pops up in my mind. This time the word was "chill," which is pretty much the same as relax, so this song came to mind. Anyway, Radical something in general has some pretty chill songs, so I had their music on replay all week as I did my work for school.

My cousin introduced me to the group this past winter break. The first song I ever heard from them was "Sun Down" and is my favorite song from them. There are three members in the trio: 


Big Red, Josh Cocktail, and Loggy.

These guys have such great music. It's hard to pinpoint what their genera is. I'd say it's a mix between chill, hip-hop, pop, acoustic, reggae, rock, and alternative. All I could really find about them on the internet is that they knew each other awhile before they became a trio. Each were striving to become a solo artist when the world-renowned photographer Bruce Weber said they should form a group. As for their name, Loggy and Big Red wanted to be Radical _________. They knew they wanted to be something radical, so they became exactly that: Radical Something. They've released two Albums so far: We Are Nothing and No Sweat EP; and have a ton of singles that you can look up on Youtube.

Be Easy is a part of the album We Are Nothing (which is the album I had on replay all week). They paired up with song writer Kinetics (Jeremy "Kinetics" Dussolliet) and created the following lyrics:


Yeah
Feelin' fantastic...c'mon
Man a group like this you never could've expected:
Cocktail mixed with some Loggy and Kinetics
So just relax
Lay back and Be Easy
Take your time, let it go, live freely
And Be Easy (You know)

Palm trees, palm trees where we sit 'n' write
Strong drinks, strong drinks what we sippin' like
Their on me, on me cuz we're living right
And who's sayin' that some new love can't begin tonight?
Well I didn't, and neither did you
And only got essentials, yeah reefer for two
And now you got me goin' mental, ain't a thing I can do
You're sinking deeper in my chest as I'm thinkin of you
And so the sun melts with a unified brilliance
I find words to describe you in the millions
Sweet sublimals but your a villainous
A sweet criminal stealin' all my feelings for yourself
And watch the shadows stretch across the pavement
And when the coastline wonders where the waves went
My thoughts surface, crept up from the basement
Giving me a hint that you know im gunna take with

So just relax
Lay back and Be Easy
Take your time, let it go, live freely
And Be Easy

I watch the sun travel over the sky
See how long I can survive without a phone at my side
And in this moment I can flashback back to my youth
Imagine a BlackBerry and fathom an Apple as actual fruits
Speakin' of apples, I love the city I reside
But why these people kill themselves over their 9 to 5s?
All these items that are gilded aren't gold inside
How much lifestyle must you buy before you feel alive?
Those dreams covered in glitter couldn't be hollower
Even without a Twitter you're still considered a follower
So if I was starry-eyed, sorry, I apologize
I just hit up Loggy for a collie ride
And we took a pair of headphones from the east coast (Kinetics)
And a little Cali bud from the west (yo it's Loggy)
And stirred it up inside a cocktail (yeah)
And then we ended up with this...be easy

So just relax
Lay back and Be Easy
Take your time, let it go, live freely
And Be Easy (You know)
Lay back and be easy
Just take your time, let it go, live freely
Be Easy
Just relax, lay back, Be Easy
Take your time, let it go, live freely

The lyrics coupled with the following music, gives it a feel good vibe that just sang to my mood this week. So take it easy everybody, shoots.


This week's playlist:
Be Easy
Sun Down
Long Hair Don't Care
Lookin' For Love
Puppy Love
Radio
No Lovin'
Gonna Be Good
Come With Me
California
Freedom
We Are Radical

Sunday, March 18, 2012

Wahine Holo Lio




It’s kind of a given that I’d write about a Song Contest song this week, since it was just this past Friday. With all the Song Contest statuses, pictures, videos, check-ins and songs streaming down my newsfeed, it was hard not to listen to 2011 songs and reminisce along with my class. It’s hard to believe it’s been a year since one of the greatest nights of our lives… It still feels as though it just happened yesterday. For my readers who have never heard of Song Contest, feel free to read the following paragraph, for those of you who have, you may as well skip over it. 

The Kamehameha Schools Song Contest is a signing competition between classes, grades 9-12 at the Kapālama campus. It’s held at the Balisdell Arena, televised statewide, and streamed online nation wide each year. There are three different categories in this competition: Men’s, Women’s, and Co-ed, and each song is conducted by a student director. Grades 10-12 compete in all three categories while the freshmen compete solely in the Co-ed competition. The freshmen only sing one song because it’s their first year and they have to learn mass numbers as well. By mass numbers I mean school songs that all four classes open and close the competition with (the entire night is pretty much a performance.) After every song has been sung, something called Ho’ike begins while the scores from five judges (which change every year) are tallied up for the awards ceremony. Ho‘ike (to put it simply) is a hula production performed by selected students who have auditioned to be a part of it. It is just as much a part of Song Contest as the songs are, and just as much a big deal. It is also a GREAT distraction while everyone is waiting for the scores. There are six different awards/trophies: The Louise Aoe McGregor Award for Outstanding Student Director; the Richard Lyman, Jr. Trophy or the ‘Ōlelo Makuahine Award; The New England Mothers’ Cub or the Girls’ Competition Award; the George Alanson Andrus Cup or the Boy’s Competition Award; the Helen Desha Beamer Award for Best Musical Performance; and last but not least, the most important award, the Charles E. King Cup for the Combined Class Award. (This is the most important award because wining as a class is the most rewarding.)

Now the reason WHY last year’s Song Contest was one of the greatest nights of the ℅ 2011ʻs lives is because that year, my class won ALL SIX awards AND tied for the ʻŌlelo Makuahine Award WITH OURSELVES. That’s seven out of six awards; a clean sweep and more. We are the only class in the history of Kamehameha Song Contest that is able to say we won that many in a single night. It’s a feat that we are overjoyed and proud of. (And honestly just a tiny itsy bit surprised of.)

None of us expected to sweep. We didn’t want to go into the competition thinking like that. During rehearsals, whenever a teacher or administrator went up to talk to our class about one of our songs, we would hush them from saying anything that would jinx us (due to a previous experience our class had that I rather not mention). I honestly believe that we swept not only because we spent hours practicing each song, not only because it was our last Song contest, but because we dedicated our songs to a classmate who was (at the time) fighting cancer. His name was Keaton Wong. It’s no secret either; it was in the paper and all over Facebook after that night. So I have no problem sharing this with everyone. He motivated and unified our class that year by simply being there to sing with us. All the emotions we were experiencing that night came through our voices and into our songs, pushing us toward victory...


Okay, so I didn’t think I was going to go into the full story (in a nut shell) about Song Contest last year, but then again NONE of my posts so far have JUST been about the songs. They’ve been about everything that surrounds the song as well! So now to the point of this blog… 

Even though I believe that our senior Co-ed song, “E Maliu Mai” was THE most important performance we sang in our career, I can’t help but feel that “Wahine Holo Lio,” our Junior Co-ed song (which we did not win with) is my favorite. It originates from a chant composed to honor Queen Emma and her expertise as an equestrian. Here is a picture of her followed by the words to this song:


He wahine holo lio ʻoe la
Maluna o Kīnaʻu lio la

Ahe lio hula haole la
Pau nā holo ʻewalu la

Ka piʻina a ʻo Maʻemaʻe la
Oni ana o Emalani la

Haʻina mai ka puana la
No Emalani he inoa

You are a lady who likes to ride
On the horse named Kinaʻu

This horse does a strange dance
Called the figure eight step

Going up to Maʻemaʻe
Your ribbon flutters in the breeze

The story is told
To honor the name of Queen Emma

Huh, I didn’t realize our song only contained eight lines… our senior Co-ed song did too. There is, of course, more words to this chant, but these are the only lines we sang in our song… huh. Well I learned something new.

ANYWAY, I actually JUST discovered that this was my favorite Co-ed song this week in fact, because it’s pretty much been on replay for days leading up to this past Friday. I don’t know if I’m saying that just because I’ve missed it or what, but I always thought the arrangement was AMAZING(ly difficult, lol… which just made it more amazing!) The song's arranged as if there are multiple songs composed into one.

“Wahine Holo Lio” starts off with an eerie sort of tone, integrating the melody into the middle of it. The song then turns into a waltz that almost makes you want to get up and sway to the music. Then a horse comes trotting in (holo peki, holo peki), and the song changes into a country type of dance only for a moment, and then goes back to that eerie tone in the beginning. As the song comes to a closing, we sing as though we are mourning Emma’s death, but by the end we raise our voices to honor her name. The changes in “movement” throughout the song are similar to the changes in movement on a horse, which is what this song is all about. Everything about it has significance. Just listen to it and youʻll hear exactly what I’ve just described:


On a side note, hoʻomaikaʻi e ka papa o koʻu Kaikunāne, ka papa 2013, no ka lanakila ʻana i ka palapala hoʻokō no Nā Kāne, ka palapala hoʻokō no Ka Mele Huipū, a no ka pa'i a pa'i 'ana no ka palapala hoʻokō 'Ōlelo Makuahine. Hoʻomaikaʻi pū i ka papa 2012 no ka lanakila ʻana i ka palapala hoʻokō no Nā Wāhine, ka palapala hoʻokō Mele Lawelawe ʻOi Loa, a no ka paʻi a paʻi ʻana no ka palapala hoʻokō ʻŌlelo Makuahine. 


Congratulations to my brother’s class for winning MEN'S! CO-ED! and TYING FOR LANGUAGE!!! Congrats also to the class of 2012 for winning women's, best musical performance, and tying for language too. (And congrats to the the freshman director, though it's very unlikely anyone from that class will ever see this post.) You all deserved it :)

Monday, March 12, 2012

We Are Young


If you’re a “Gleek” (Glee + Geek) you already know from reading the title of this post that Glee performed this song a few episodes ago (well, maybe more than a few.) If you didn’t know that, and you’re now thinking to yourself, “Not another Glee post!” I’d just like to say that this post isn’t about Glee, it’s about how awesome this song is...... and that Glee just happened to sing it (lol).

I will admit that the first time I heard “We Are Young” was the night the episode aired on TV. I was visiting my parents one Tuesday, and like every other average family, they have their share of favorite television programs that they watch during dinner. That night was Glee. (I’m not an adamant follower of the show, but I do enjoy watching it every now and then for the music.) We caught the second half of the episode during dinner, and when in the end they performed this song, it instantly became one of my favorites. I’ve YouTubed it on multiple occasions since.

It’d been awhile since I’ve listened to it though.... up until a few days ago. Someone posted on Facebook a status about catching up with Glee on Hulu the other night, and I automatically thought of this song. It didn’t really stick with me until the next day though, when I thought about the song again and decided to listen to it a few times on YouTube. Then, a pretty common thing happened. That night, I went to a wedding reception and the original version of this song started playing! (This tends to happen to me a lot. I’ll be singing a song, and next thing you know, it’s playing on the radio.) After my (drunk) co-workers and I started singing to it, I decided that I HAD to write about this song this week. I mean, it pretty much followed me around begging me to. And anyway, it’s just one of those feel good songs. I mean look at the lyrics and just listen to the way they sing it at the end of this post: 

Give me a second I,
I need to get my story straight,
My friends are in the bathroom getting higher than the Empire State
My lover she’s waiting for me just across the bar
My seat’s been taken by some sunglasses asking bout a scar, and
I know I gave it to you months ago
I know you’re trying to forget
But between the drinks and subtle things
The holes in my apologies, you know
I’m trying hard to take it back
So if by the time the bar closes
And you feel like falling down
I’ll carry you home

Tonight
We are young
So let’s set the world on fire 
We can burn brighter than the sun
(x2)

Now I know that I’m not
All that you got
I guess that I, I just thought
Maybe we could find new ways to fall apart 
But our friends are back
So let’s raise a toast
’Cause I found someone to carry me home

Tonight
We are young
So let’s set the world on fire 
We can burn brighter than the sun 
(x2)

Carry me home tonight (Nananananana)
Just carry me home tonight (Nananananana)

Carry me home tonight (Nananananana)
Just carry me home tonight (Nananananana)

The moon is on my side
I have no reason to run
So will someone come and carry me home tonight
The angles never arrived
But I can hear the choir
So will someone come and carry me home

Tonight
We are young
So let’s set the world on fire 
We can burn brighter than the sun
(x2)

So if by the time the bar closes
And you feel like falling down
I’ll carry you home tonight

Aren’t the words invigorating? (. . . okay, maybe not the first verse, but the rest is!)

Now a little about the song: “We Are Young” is a “grandiose alternative number, built on theatrical orchestration and a propulsive, immediate chorus that beams with inspirational effect” (huh? lol, jk). It was originally composed and performed by the band Fun, featuring Janelle Monae. Fun is an American Indie Pop band from New York that was formed by Nate Ruess, Andrew Dost, and Jack Antonoff. They’ve released two albums so far: Aim and Ignite in 2009 and Some Nights in 2011. At first, “We Are Young” only received online media attention. But after airing on the show Glee, the song gained popularity, propelled the band into mainstream success, and peaked at number one on the Billboard Hot 100.

Now for the video: I was debating over whether or not I should put the Glee version or the Fun version as the main vid in this post, because I really do like both. In the end, I decided to put the Glee one up only because I absolutely love the harmonies in it... it’s where I first heard the song from... and it’s nice to hear female vocals rather than just male vocals too. Makes it even easier for me to sing along :)






I guess this post turned out to be about Glee more than I thought it would... I stand corrected :P

Monday, March 5, 2012

Pretty Wings

It’s Sunday night and I’m having a hard time trying to figure out which song was consistently stuck in my head all week. There are a few of them that kept popping up every now and then throughout the last seven days, but none that really stuck out like last week. So I’m gonna go with what’s fresh in my mind right now: Pretty Wings by Maxwell. I remember humming the tune for a few days and singing the one line that I know, “Pretty Wings, your Pretty Wings around” over and over and over again. (Like so many other songs that stick to me, I don't know all the words to this one.)

Although this song is sung and written by Maxwell, I’ve never actually heard his rendition of it. The first and only version I’ve heard was from this guy:



His name is Leroy Bejarano, and this boy can sing... seriously. I can't remember exactly how I found him, but he’s apparently all over tumblr (which I don't have) and has popped up on Facebook a little here and there since I’ve discovered him. The first song I ever listened to him sing was Love On Top by Beyonce. He absolutely blew me away with this song. Key changes? No sweat. He’s not even tying in his video; he’s totally just playing around and having fun. The link is right there for you to listen to (if you want to) so you'll see what I mean.

But let’s get back to Pretty Wings. After looking around on the Internet, I found out that this song was written and produced by Maxwell and Hod David. It won a Grammy Award for “Best Male R&B Vocal Performance” and was nominated for “Song of the Year” and "Best R&B Song." Maxwell described Pretty Wings as “a bittersweet love song about meeting the right girl at the wrong time.” Like almost all the love songs in the world, his inspiration came from a relationship with a girl that didn't really work out, but whom he still respects. Here are the lyrics:

Time will bring the real end of our trial
One day they'll be no remnants
No trace, no residual feelings within ya
One day you won't remember me

Your face will be the reason I smile
But I will not see what I cannot have forever
I'll always love ya, I hope you feel the same

Oh you played me dirty, your game was so bad
You toyed with my affliction
Had to fill out my prescription
Found the remedy, I had to set you free

Away from me
To see clearly the way that love can be
When you are not with me
I had to leave, I have to live
I had to lead, I had to live

If I can't have you, let love set you free
To fly your Pretty Wings around
Pretty Wings, your Pretty Wings
Your Pretty Wings around

I came wrong you were right
Transformed your love into light
Baby believe me I'm sorry I told you lies

I turned day into night
Sleep till I died a thousand times
I should’ve showed you
Better night better times better days
I miss you more, more

If I can't have you, let love set you free
To fly your Pretty Wings around
Pretty Wings, your Pretty Wings
Your Pretty Wings around

Now that I’ve learned a little more about the song, I feel obligated to add Maxwell’s version to this post. So here’s the link if you’d like to listen to it:


But this post isn’t about Maxwell’s version of Pretty Wings being stuck in my head all week. This is about Leroy’s.

From what I’ve found, Leroy Bejarano grew up in Spain in the city of Vitoria. After watching so many people around the world singing and sharing their own versions of songs, he decided to give it a try. He did it for fun; he wanted to find out what people thought of his music. After a few uploads, watchers began to noticed how talented he was and he became a YouTube sensation. His videos reached the U.S. and he got a call from Beyonce’s producer about the possibility of recording an album. Leroy is now 20 years old and is due to record that first album soon. 

So look out for his name and listen for this voice. Here’s Leroy’s rendition of Pretty Wings: